In a competitive field, few political topics are as unsexy as arguments about process. The rules over who speaks, in what order, and within what confines are often arcane, fusty, and dull. That Jacob Rees-Mogg, fairly derided as the parliamentarian for centuries past, is the posterboy for such wrangling only emphasises this.
But as the many reports on late-night parliamentary sessions over Brexit proved, such processes are the essence of democracy. The rules can give citizens a genuine input into how things are run, hamstring mighty administrations, or baffle the observer with technicalities. Sometimes all three.
The toppling of the statue of Edward Colston, a merchant involved in slave trading, over the weekend was the opposite of such rules. Campaigners’ removed the statue from Bristol’s town centre after years of being frustrated by local politicians, the historic listing process, and the Society of Merchant Venturers. (A lack of clear popular support for it is something we’ll come to.)
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